• Venia Silente@lemmy.dbzer0.com
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    1 day ago

    Call me when it’s actually released. “We’ll release the music in the future” is worth exactly as much content as “we’ll release a Batgirl movie”.

  • Kami@lemmy.dbzer0.com
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    1 day ago

    News headlines in my country are like “Spotify attacked!!”, “Millions of music tracks stolen!!”.

    Hilarious…

  • reksas@sopuli.xyz
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    1 day ago

    why must every good site draw attention to themselves like this? Make alternative site for music if you must make such a spectacle out of it, so when the hammer falls it doesnt take out the books too. Or at least have some kind of plan on how to survive it, which i really hope they do.

    • DSN9@lemmy.ml
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      23 hours ago

      The content is distributed across numerous torrents. It’s decentralized. Also there’s a reason pirate bay is still up, while the other centralized players aren’t… . design distributed systems that aren’t vulnerable to easy take downs.

      Speed, security or cost, pick two.

      • reksas@sopuli.xyz
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        8 hours ago

        yes, but what about annas archive itself? Decentralization is good and resilient, but the authoritans will attack the website and its maintainers directly. Maybe they will try blocking it, or demonize it and its users or maybe they will even start uploading malware there to make it worse to use. In general, as long as things stay out of general public’s view they are somewhat safe, but I bet this will have at least some news organizations mention it.

        Each day we have less and less rights and protections so we(as in the piracy community in general) have to make sure we will survive despite of that. Not just for ourselves but to preserve things for everyone.

  • prismatic@ttrpg.network
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    1 day ago

    Very cool, though the quality leaves a bit to be desired.

    For popularity>0, we got close to all tracks on the platform. The quality is the original OGG Vorbis at 160kbit/s. Metadata was added without reencoding the audio (and an archive of diff files is available to reconstruct the original files from Spotify, as well as a metadata file with original hashes and checksums).

    For popularity=0, we got files representing about half the number of listens (either original or a copy with the same ISRC). The audio is reencoded to OGG Opus at 75kbit/s — sounding the same to most people, but noticeable to an expert.

  • psycotica0@lemmy.ca
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    1 day ago

    If instead of a giant omnibus torrent they put a folder structure on IPFS, it would be essentially a fully available streaming Spotify clone with the ability for people to “pin” tracks or albums or artists to have them stay locally on their device…

    Just saying…

  • dontblink@feddit.it
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    1 day ago

    I feel like this will put them much more under the authorities target, music is much more sensible than books, simply because it moves more money…

    Anyway I still am wondering how they managed to do this and how they still didn’t get caught, there must be reeeally good devs there.

  • DSN9@lemmy.ml
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    23 hours ago

    One day (communities, localities or government libraries) will again host public goods information with free access. Fighting intellectual monopoly is fighting for the return of local libraries (just the modern ones).

    The absurdity that western governments fight archivists is beyond insane. They should be helping to distribute and host the data.

    The half life of data is getting worse not better in the digital age. These pirates are doing the work of the public good and being vilified.

    See: https://topdocumentaryfilms.com/digital-amnesia/

    • SkyeStarfall@lemmy.blahaj.zone
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      13 hours ago

      At least, assuming there is a future, they will be vindicated. Future generations will greatly appreciate finding archives such as this.

  • bonenode@piefed.social
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    1 day ago

    Don’t be too excited, guys:

    Relatively popular songs are stored in their original 160kbit/s OGG Vorbis quality, while the rest use 75kbit/s to save hundreds of terabytes of storage.

    75 kbit/s can sound pretty bad depending on the songs. If you listen to it on your phone speaker you probably won’t notice, but this isn’t for quality listening experience. Depends what they mean with popular though, maybe all “good” songs are stored in the higher bitrate.

    • floquant@lemmy.dbzer0.com
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      1 day ago

      The only songs reencoded to that quality is a sample of the 0-streams songs, which do make up a lot of the total count.

      Everything that has been listened to at least once is in high quality.

      • hietsu@sopuli.xyz
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        1 day ago

        0-popularity, not 0-streams, which are two different metrics according to the archive blog post. But nevertheless, the re-encoded stuff is stuff pretty much no one will miss. Also Opus at 75kbps is much better than Vorbis or mp3 at that bitrate.

      • black0ut@pawb.social
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        17 hours ago

        And that’s why I think it’s an issue. The least popular tracks, which are the most likely ones to disappear from the internet, are the ones they store in the lowest quality. While I’m glad they made this huge effort for preservation, and understand the limitations of storage space, I also wish they would have at least preserved the original 160kbps streams.

    • potustheplant@feddit.nl
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      1 day ago

      I’ve literally never been unable to find ogg, flac or mp3s for any album on Soulseek. Why is scraping Spotify even necessary?

      • richmondez@lemdro.id
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        1 day ago

        There is probably a lot of listening data that could be useful. Say you like a particular song, you could look at what other songs people who stream that do also streamed a lot?

        • potustheplant@feddit.nl
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          8 hours ago

          True. An “open source” music discovery algorithm would be nice. They could’ve just scraped the metadata for that though.